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Ivan Argunov
Portrait of Countess Tolstaya, nee Lopukhina
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ID: 94886
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
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Ivan Argunov
Russian Rococo Era Painter , 1727/1729-1802
Russian painter and teacher. He came from a family of serfs, belonging to the Counts Sheremetev, that produced several painters and architects. In about 1746-7 he was a pupil of Georg Christoph Grooth (1716-49), who painted portraits of the Sheremetev family. With Grooth, Argunov worked on the decoration of the court church at Tsarskoye Selo (now Pushkin). A full-length icon of St John of Damascus (1749; Pushkin, Pal.-Mus.), in Rococo style, is distinguished by its secular, decorative character. The Dying Cleopatra (1750; Moscow, Tret'yakov Gal.) is typical of Rococo decorative painting of the mid-18th century, with its striking combination of light, soft tones. Argunov subsequently painted in a quite different style, mainly producing portraits, of which about 60 are known. Among the first of these are pendant portraits of Ivan Lobanov-Rostovsky and his wife (1750 and 1754; St Petersburg, Rus. Mus.), in which the sitters are idealized, as in ceremonial court portraits. Related Paintings of Ivan Argunov :. | Portrait of an Unknown Woman in Russian Costume | Portrait of an Unknown Woman in Russian Costume | Portrait of Peasant Woman in Russian Costume | Portrait of Princess Ekaterina Alexandrovna Lobanova-Rostovskaya, 1754 | Portrait of Countess Tolstaya | Related Artists: Charles Sprague PearceFor other people named Charles Pearce, see Charles Pearce (disambiguation).
Charles Sprague Pearce (October 13, 1851 - May 18, 1914) was an American artist.
CUYP, AelbertDutch Baroque Era Painter, 1620-1691
Painter and draughtsman, son of (1) Jacob Cuyp. One of the most important landscape painters of 17th-century Netherlands, he combined a wide range of sources and influences, most notably in the application of lighting effects derived from Italianate painting to typical Dutch subjects. Such traditional themes as townscapes, winter scenes, cattle pieces and equestrian portraits were stylistically transformed and given new grandeur. Aelbert was virtually unknown outside his native town, and his influence in the 17th century was negligible. LEICHER, Felix IvoAustrian painter
b. 1727, Wagstadt, d. 1812, Wien
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